In part two 2 of 2 of this jwrry improvisation masterclass, legendary saxophonist Jerry Bergonzi breaks down his exciting approach to soloing and composing. Inside Improvisation Volume 2 – Pentatonics Pentatonics sheet music – sheet music by Jerry Bergonzi: Bergonzi – Pentatonic Improvisation. In part one 1 of 2 of this pentatonic improvisation masterclass, legendary saxophonist Jerry Bergonzi breaks down his exciting approach to soloing and composing using pentatonic scales. Bergonzi – Pentatonic Improvisation Masterclass 1. Jerry Bergonzi – Pentatonic Improvisation Masterclass 1.
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Full Video at https: Pentatonics provides a practical yet creative approach to assimilating pentatonics into your melodic musical reservoir.
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Verne, Jerry goes beyond the minor and major pentatonic scales by showing you how any 5 notes can be used as a creative vehicle for jazz improvisation.Ī GOOD DAY TO DIE SIMON KERNICK PDF Books by Jerry Bergonzi (Author of Bergonzi Jazz Line Book and CD Inside Improvisation Vol. If you want to take your solos to fresh and interesting places, this pentatonic improvisation lesson series is for you. The accompanying recording has been designed for use in conjunction with the text. Jamey Aebersold Jazz, Volume 2: Jerry Bergonzi- Vol 2 – Pentatonics. This book provides a practical yet creative approach to assimilating pentatonics. 2 of the Inside Improvisation Series by author Jerry Bergonzi. Inside Improvisation Vol.3 Jazz Jerry Bergonzi – Vol. It gets really interesting when you start use these schemes with pentatonics flat 3, flat 6, flat 2, etc.įor that matter, the X-Centric approach should work, theoretically, with any non-symmetrical scale of any length.Documents Similar To Jerry BergonziVol 2 – Pentatonics. Hey, I think you’ve got it! You can try it with any of the eight Bergonzi shapes or any of your own 5 note patterns. Ii mode of Bb: (C) skip step up to (F) step up to (G) skip step down to (D) step up to (F), etc. I mode of C: (C) skip step up to (E) step up to (G) skip step down to (D) step up to (E), etc. (X) skip step up (X) step up (X) skip step down (X) step up, repeat…. When we flip Bergonzi’s formula #1 upside down, we get formula #5.
(C) skip step down to (G), step down to (F) skip step up to (Bb) step down to (G), repeat formula………. In measure 3, we use the same formula starting on C, only this time “C” is the first note of the ii mode of Bb Major Pentatonic. (C) skip step down to (G), step down to (E) skip step up to (A) step down to (G) (X) skip step down (X) step down (X) skip step up (X) step down.Īpplying this formula to the i mode of the C Major Pentatonic scale (C – D – E – G – A), this translates, in to: (A “step” in this case refers to the distance between adjacent notes of the pentatonic scale, not the diatonic major.) 2, Pentatonics, we can apply any of Gonz’s 8 formulas or “shapes” X-Centrically. Taking a page from another excellent book, this time Jerry Bergonzi’s popular Vol. When we get this stepwise pentatonic exercise comfortably under our fingers, we can then start checking out some intervalic possibilities. Now if we take it through the 12 notes of the chromatic scale (12×5), we’ve got 60 distinct pentatonic modes. This generates 5 different pentatonic modes from the same starting note, each from a different key center.